– Four balanced outputs for clean monitoring and sending audio out to effects pedals – Two balanced line inputs for connecting synthesisers, drum machines and other line-level sources – Two high-headroom instrument inputs to plug in your guitar or bass – Two of the best performing mic preamps the Scarlett range has ever seen, now with switchable Air mode to give your vocal recordings a brighter and more open sound There’s no better way to step into studio recording – your Scarlett interface comes with some of the best loved tools in the business, including Ableton Live Lite, Avid Pro Tools Artist and Hitmaker Expansion, with exclusive content from legendary Auto-Tune® creators Antares®, along with Brainworx®, Softube®, Landr, XLN Audio®, Relab and more. Scarlett 4i4 is designed to stand up to days on the road and connects straight to your Mac® or PC via USB cable, with no external power required.Īll the tools you need to start recording right, now Record guitars or basses via the two high-headroom instrument inputs without any clipping or unwanted distortion and get creative using the four flexible line inputs – two on the front with gain control, and two fixed-line on the back allowing you to record up to four mono sources or two stereo line-level sources such as synthesisers or drum machines with guaranteed clarity.Ī pair of virtual loopback inputs allows you to capture a stereo feed of any combination of hardware input and software playback channels – making podcasting, live streaming and sampling tasks easier. The 4i4 features two of Focusrite’s best-ever performing third-generation Scarlett mic preamps: with optional Air setting to reproduce the Air effect of their original ISA mic preamp, giving your vocal or acoustic recordings a brighter and more open sound. Equipped with high performance 24-bit/192kHz AD-DA converters, Scarlett guarantees the same professional sound quality throughout the third-generation range. Take your creativity to the next level with four inputs and four outputs enabling simultaneous recording of microphones, instruments, synths and drum machines – with maximum audio quality. More recently, developers have worked hard to democratise their loopback enabled products by making them affordable, and easier to understand by the non-technical creator.Scarlett 4i4 3G is the perfect interface for musicians and producers starting to expand their setups and needing that extra little bit of connectivity. An increasing number of boxes come with their own software mixer that lets the user fly their headphone mix independently of the DAW loopback interfaces include their virtual IO as well for easy monitoring. Of course, the interface’s hardware inputs can also be utilised for adding a mic or other sources simultaneously.Īt its simplest, one stereo virtual output and one input will be provided, although inevitably monitoring of the source software is needed. These can be addressed by both the source software, and the destination, allowing the engineer to keep all app audio in the computer. A loopback enabled interface makes the traditional problems of capturing virtual audio go away by offering virtual inputs and outputs that can be thought of and used just like hardware inputs and outputs. While the software solution can work, using such a method isn’t without its pitfalls, not least the requirement of the user to have an understanding of audio routing. This provides perhaps the most elegant solution to recording in-the-box sounds, but for scenarios that need the addition of a mic or other hardware source, a different approach is needed. Watch how we use Existential Audio’s free BlackHole software to get the job done using a non-loopback enabled interface. There are a number of software solutions out there allowing the recording and monitoring of virtual sources. Not only is it cumbersome, but it is also potentially compromised in the technical sense with unbalanced headphone connections and/or extra trips through the convertors. While it was (and still is) possible to use an ancillary device such as a headphone output or spare interface to physically connect the source application to the DAW’s interface, this method is not ideal. Historically, recording application audio on its own or in tandem with mics or other hardware sources was the final head-scratcher for engineers working with limited resources. With an increasing number of creators needing to record their computer’s audio alongside mics and other sources, we look at some solutions that can get you there without taking a hit on either your headspace or bank balance…
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